British Home Stores; BHS, Brighton closes

A sad time for England’s’ high street – BHS’s closure takes with it many jobs, a brand identity and an archive of a British retail business dating back to 1928. When I was little, I remember being taken on shopping trips on the bus along the sea front into Worthing with my Nan, ‘Nanny Brown’ (my Dads Mum). We would go into BHS and my Nanny Brown would buy me matching vest and knickers which would have an animal on the front…. the kitten ones seem to have stuck in my head.

I have quite a few pieces of second hand BHS clothing in my own archives of raw materials. Some of these clothes I have used in past works and some I may keep as part of my own archive collection.

The work ‘S-t-r-e-t-c-h’ which I made in 1999 was woven from a size 12 British Home Stores (BHS) Polyester full petticoat, which I bought in a Brighton charity shop and had been hand dyed. Acting as a vertebra, the black lace running the full length of the petticoat became the focus of the work.

‘S-t-r-e-t-c-h’ was exhibited in group and solo exhibitions including ‘Out of the Closet’ 2000 Sothebys London and ‘Intimate Foundations’, 2000-01, first touring solo exhibition. The work was purchased back in 2001 by the former South East Art Collection, now Brighton & Hove Museums Collection.

BHS Brighton Last Day 24.08.2016BHS Brighton ClosedStretch by Lucy Brown 1999Intimate Foundations by Lucy Brown Hove Museum 2001

Photo credits; Top  BHS Brighton Last day 24th Aug 2016. middle right BHS Brighton closed middle left Lucy Browns’ ‘S-t-r-e-t-c-h’ 1999. © Uses a British Home Stores (BHS) Polyester full petticoat, size 12 (hand dyed). 130 x 125 cm. Photographers credit James Newell Bottom Lucy Browns’ Intimate Foundations. Solo Touring Exhibition. Hove Museum and Art Gallery 2001©

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The British Textile Art Exhibition 62@50. Koyo Gallery. Japan

My work – ‘In 1962 the birth control pill was available….’ 2012 is to be exhibited in a 62 Group Exhibition; British Textile Art 62@50 celebrating the 62 Group of Textile Artists 50thAnniersary. To be held at the Koyo Gallery, SHOWA Women’s University, Tokyo. Japan. 10th Dec 2013 – 25th Jan 2014

In 1962 the birth control pill was available… but only to married women. In the same year,  Louise Bourgeois created ‘Clutching’ and Niki de Saint Phalle performed ‘Venus de Milo’. Using a vintage girdle elastic and a size 18 ‘Strelitz’ 1960’s dress the work questions how much control did women have over their bodies in the sixties….

In 1962 the birth control pill was available… 2012. Weave. Vintage 1960’s Northern Irish “Strelitz” (regd.) dress designed in a moygashal (regd.) fabric. Vintage girdle elastic, suspender ends, nails. 68 x 212  x  3 cm depending on installation.
work in progress. 1960's vintage dress In 1962.... installed in studio

Left photo- 1960’s vintage dress used for the work. Right photo In 1962… set up in studio

‘the secrets we keep from ourselves…’ 2012 on display until 10th Feb 2013

Final Installation for Lace Works Exhibition at Nottingham Castle Museum & Art Gallery.

the secrets we keep from oursleves. by Lucy Brown 2012 LB3. the secrets we....2012 detail

the secrest we keep... installation view the secrest we keep from ourselves. detail

Materials used – Nottingham Leavers Lace trim, ribbon, vintage and second hand ‘St Michaels’ (Marks and Spencer’s) and ‘Golden Charm’ negligée’s, petticoats, high neck day dress, pins, nails.

’Lace Works – Contemporary Art & Nottingham Lace’ – Nottingham Castle Museum & Art Gallery 10th November 2012 – extended until 10th February 2013. www.mynottingham.gov.uk/nottinghamcastle

‘Lace Works’  is part of ‘Lace: Here: Now’  – a season of lace exhibitions and events that celebrate the heritage of the Nottingham Lace industry and demonstrates that lace still inspires, fascinates and excites. www.laceherenow.co.uk